Monthly Archives: April 2017


The two last film-festivals I attended screened intriguing documentaries that didn’t seem to follow any previous ideas of a narrative. These films are Untitled (2016) directed by Michael Glawogger and Monika Willi, screened at the Berlin Berlinale and Cameraperson (2016) directed by Kirsten Johnson, screened at Stockfish, Reykjavík, Iceland. Both […]

The Non Sequitur Montage